Hello Friend ^.^

kinkyturtle:

2damnfeisty:

thecroptopmovement:

Willow Smith’s crop top style.

That girl is going to slay the game in a few years, watch. She is going to be the new supermodel.

willow smith has been killin it since she was like 8, she’s so amazing

Koizumi progress

Koizumi progress

spicyshimmy:

spicyshimmy:

*carries a redshirt with me but doesn’t wear it* it’s a metaphor for dying on away missions but i don’t put it on because i don’t actually want to die on away missions

the fault in our star trek

nonasuch:

additionally, I CANNOT GET OVER Steve’s fucking Sadness Errands that he keeps running around DC, like, his schedule literally goes

6 AM: jogging

7:15: unburden soul to total stranger, lacking better options

3 PM: visit own museum exhibit to stare at the Dead Best Friend Wall

4:30: attempt meaningful human connection with sole surviving contemporary; fail due to Alzheimer’s

6 PM: dinner for one

7 PM: contemplate own loneliness, probably

The provinces and territories of Canada.
I've been seeing a lot of people talk about Gus sounding really pretentious in the movie, do you think he sounds pretentious?

fishingboatproceeds:

I mean, that scene is word-for-word from the book, so don’t blame the movie! :) Yes, Gus is super pretentious at the start of the story. it’s a character flaw.

Gus wants to have a big and important and remembered life, and so he acts like he imagines people who have such lives act. So he’s, like, says-soliloquy-when-he-means-monologue pretentious, which is the most pretentious variety of pretension in all the world.

And then his performative, over-the-top, hyper-self-aware pretentiousness must fall away for him to really connect to Hazel, just as her fear of being a grenade must fall away. That’s what the novel is about. That is its plot.

Gus must make the opposite of the traditional heroic journey—he must start out strong and end up weak in order to reimagine what constitutes a rich and well-lived life.

Basically, a 20-second clip from the first five minutes of a movie is not the movie.

(Standard acknowledgement here that I might be wrong, that I am inevitably defensive of TFIOS, that it has many flaws, that there’s nothing wrong with critical discussion, and that a strong case could be made that I should not insert myself into these conversations at all.)

kayleyhyde:

kateoplis:

I still work.

We all know that feeling, vending machine

kayleyhyde:

kateoplis:

I still work.

We all know that feeling, vending machine

night-cf:

If Peter and Billy in the same highschool..
maybe they’ll become good friends..

night-cf:

If Peter and Billy in the same highschool..

maybe they’ll become good friends..